The work originates in a recurring personal experience: the artist is frequently mistaken for other bald men with beards. From this seemingly ordinary confusion emerges a broader reflection on how identity is perceived and simplified within contemporary visual culture. The project consists of a series of synthetic portraits created in his image and likeness: these figures resemble him, yet none of them is him. Positioned between similarity and difference, the portraits examine the body as data — categorised, segmented and interpreted through systems shaped by algorithms, platforms and standardised visual codes.