No monograph had been devoted to Alain Bizos before this one. Yet at the turn of the nineteen eighties he worked out a manner of his own, halfway between art and information, that marked a turn in the press.

Beside the provocation and the frank drollery of series such as Monsieur Madame, made with the graphic collective Bazooka, there runs through his work a deep reflection on gender, on identity and on the period.

“It will be a means for him to pursue a search that lies rather in the field of a contemporary art acquainted as much with Warhol as with the minimalists, with those who work in neon as with underground cinema.” — from the preface by Christian Caujolle