On Heaven's Doorsill investigates the layered beliefs about the afterlife in rural Romania, delving into mythology, folk tales and ancient traditions. It is inspired by the artist's grandmother, Alexandra, who dreamed that her late husband would come for her at harvest time, and by the Romanian folk ballad The Ewe, in which a shepherd imagines his death as a cosmic wedding at heaven's gate. The liminal space of the photographs is one where the ordinary turns eerie and the boundary between the living and the dead fades: rituals that offer solace and unease, the weight of the past, and the presence of spirits among the living.