The work explores femininity, religious syncretism and cultural diversity. In 2017 the artist spent a year in the Afro-Mexican village of Costa Chica, in the house of Juliana, a lawyer, and her teenage daughter Veronica; it was Juliana who introduced her to the women of the community — healers, midwives, herbalists — and to the plants, among them the hoja santa, that hold their knowledge together.